Publications
Books
Elan Calls: A Creative Companion Guide to The Valley. Social Art Publications (2019)
Elan Yn Galw: Canllaw Ategol Creadi. Translated by Delyth Huw Thomas. Social Art Publications (2019)
Applied Live Art: Co-authorship in socially engaged site-responsive performance practice. Lambert Academic Publishing (2013)
End of Life Care: A Guide for Therapists, Artists and Arts Therapists. Jessica Kingsley Publishers (2013)
Essays
Socially Engaged Art in a New World Order. Journal of Cultural Management and Cultural Policy (2023)
Social Works? EDI: Issue 3. Axisweb (2023)
Process and Findings Report. Social Artists for Equality Diversity and Inclusion (SAFEDI): improving access to visual arts through artist-led policy transformation (2022)
From Network to Meshwork: Validation for Social Practice Art and Artists. Social Works? Journal Issue 2. Axisweb (2020)
Community Engagement as Museum Exhibition. Engage: The International Journal of Visual Art and Gallery Education. Issue 45. Class and Inequality (2021)
Scrolled Life Stories: How to Speak About Life and Death When Both Are So Close. Barbed Wire Fever (2020)
Righting On Social Practice. Social Works?: Open Vol.1 Issue 1. Axisweb, Wakefield (2018)
A Critical Evaluation of Creature of the Estuary. Review of a moving image work by artist and filmmaker Eelyn Lee (2017)
Defining Praxis in Social Engagement. Journal of Arts and Communities, Vol. 8 Issue 2. Intellect Books, Bristol (2017)
A Critical Lens on A Tender Subject. Artangel (2012)
Applied live art: Co-authorship in socially engaged and site-responsive performance practice. Brunel University School of Arts PhD Theses (2011)
The Art of Dying: Aesthetics and Palliative Care. Journal of Applied Arts & Health, Intellect Journal Vol. 2 Issue 2 (August 2011)
The Problem of Application: Aesthetics in Creativity and Health. Healthcare Analysis SpringerLink Journal Vol. 17 Number 4 (December 2009)
Response to Objects of Engagement Conference. Royal Holloway, University of London (June 2008)
Lectures & Conferences
How can the arts bring care both into large-scale community works, and into the museum setting? & Care Pledge. Creativity Care and the City – Part 2. University of the Arts London (2023)
Emotional Labour of Social Practice Artists: Moving Towards Sustainable Collective Care. University College London (2022)
Health and Wellbeing through Art Making Online Short Course. UAL Central Saint Martins (2022)
Social Art? SEAS & SAN founders in conversation. Socially Engaged Art Salon, Brighton (2021)
Sheroes Activist Art Forum. London Festival of Ideas (2021)
The Bergen Salons. Bergen Kommune (2021)
Facing Death Creatively. BBC Radio 4 Four Thought (2019)
Facing Death Creatively. European University At St Petersburg (2019)
Truth-Dare-Art Social Practice Forum. Chapel Arts Studios (2019)
Do you want to come outside and play? Outdoor Arts Festival Seminar – Freedom Festival, XTRAX and Creative ENRG (2018)
The Power of Collectivity in the Arts. Social Art Summit, Key Presentation, Site Gallery (2018)
When Art Sparks – Presentation at Migration Lab: Art On The Front Line, Art/Migration/Refugees. Counterpoint Arts, Dublin, Ireland (2016)
R.M. Sánchez-Camus: Challenges of Socially Engaged Practice. ArtQuest (2016)
Michelle Baharier, R. M. Sánchez-Camus and Rachel Anderson ‘On Our Way Here.’ Artangel (2014)
Shared voices in Collaborative Practice – Presentation for Being Seen Being Heard, Chelsea Theatre Sacred Festival (2011)
Co-authorship & Applied Live Art – Paper presentation for Authoring Theatre, Central School for Speech and Drama (2011)
When Place Haunts Space – Paper presentation Theatre and Ghosts Conference, University of York (2011)
The Capital of Time: Heidegger and Dogen on presence – Keynote Speech for Journeys Across Media Time Conference, Reading University (2011)
Naples Flayed, Revealing the Layers in Performance and Community, Paper presentation Contemporary Italian Theatre Conference, Italian Institute of Culture, University of Central London (2009)
Aesthetics and Applied Live Art, Paper presentation Theatre and Performance Research Association, Leeds University (2008)
Assumed Identities, Invented History. Invented Histories, Assumed Identity. Workshop Presentation Objects of Engagement Conference, Royal Holloway, University of London (2008)